The New York trilogy Book by Paul Auster (Farsi)

This Book “The New York trilogy” is written by Paul Auster. Paul Benjamin Auster (born February 3, 1947) is an American writer and film director. His notable works include The New York Trilogy (1987), Moon Palace (1989), The Music of Chance (1990), The Book of Illusions (2002), The Brooklyn Follies (2005), Invisible (2009), Sunset Park (2010), Winter Journal (2012), and 4 3 2 1 (2017). His books have been translated into more than forty languages. The search for identity and personal meaning has permeated Auster’s later publications, many of which concentrate heavily on the role of coincidence and random events (The Music of Chance) or increasingly, the relationships between people and their peers and environment (The Book of Illusions, Moon Palace). Auster’s heroes often find themselves obliged to work as part of someone else’s inscrutable and larger-than-life schemes. In 1995, Auster wrote and co-directed the films Smoke (which won him the Independent Spirit Award for Best First Screenplay) and Blue in the Face. Auster’s more recent works, from Oracle Night (2003) to 4 3 2 1 (2017), have also met with critical acclaim. He was on the PEN American Center Board of Trustees from 2004 to 2009, and Vice President during 2005 to 2007. In 2012, Auster said in an interview that he would not visit Turkey, in protest of its treatment of journalists. The Turkish Prime Minister Recep Tayyip Erdoğan replied: “As if we need you! Who cares if you come or not?” Auster responded: “According to the latest numbers gathered by International PEN, there are nearly one hundred writers imprisoned in Turkey, not to speak of independent publishers such as Ragıp Zarakolu, whose case is being closely watched by PEN Centers around the world”. Auster’s most recent book, A Life in Words, was published in October 2017 by Seven Stories Press. It brings together three years of conversations with the Danish scholar I.B. Siegumfeldt about each one of his works, both fiction and non-fiction. It is a primary source for understanding Auster’s approach to his work. Auster is willing to give Iranian translators permission to write Persian versions of his works in exchange for a small fee; Iran does not recognize international copyright laws.