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"The Tasiyan" is a collection of poems that encapsulates the remarkable works of Hushang Ebtehaj, also known as H. E. Sayeh. The poetry in this collection follows non-classical meters and forms, comprising 87 short pieces. These poems are part of the "Sher-e No" genre and were written between the years 1325 to 1380. Many of them have been previously published in composite collections. The title, "Tasiyan," is a term from the Gilaki dialect. In introducing the book, it's written about this word: "It seems that after death, when a person is liberated from the physical constraints and enters a new and inexplicable state, it is akin to Tasiyan. T...
"The Tasiyan" is a collection of poems that encapsulates the remarkable works of Hushang Ebtehaj, also known as H. E. Sayeh. The poetry in this collection follows non-classical meters and forms, comprising 87 short pieces. These poems are part of the "Sher-e No" genre and were written between the years 1325 to 1380. Many of them have been previously published in composite collections. The title, "Tasiyan," is a term from the Gilaki dialect. In introducing the book, it's written about this word: "It seems that after death, when a person is liberated from the physical constraints and enters a new and inexplicable state, it is akin to Tasiyan. This may be synonymous with birth in the transient world, but with a comprehensive and unambiguous understanding.
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Modern Persian poetry emerged in the late 19th and early 20th centuries as a response to the rapidly changing political, social, and cultural landscape of Iran. Influenced by Western literary movements and the intellectual currents of the time, it marked a departure from the classical forms of Persian poetry, embracing free verse and more direct expression. Modern Persian poets sought to break away from the rigid constraints of traditional poetry, exploring new themes, language, and structure. They addressed the socio-political struggles of the era, the quest for national identity, and the tension between tradition and modernity. Prominent poets such as Nima Yushij, who is often considered the father of modern Persian poetry, introduced the concept of “she’r-e-no” (new poetry), which rejected the strict meters and rhyme schemes of classical Persian poetry in favor of free verse. This new style allowed poets to experiment with more fluid and spontaneous forms of expression. In the years that followed, poets like Forough Farrokhzad, Ahmad Shamloo, and Sima Bina further expanded the boundaries of Persian poetry, incorporating feminist, existential, and political themes into their works. Modern Persian poetry continues to evolve, remaining a powerful tool for social critique, self-expression, and a reflection of the ever-changing cultural landscape of Iran.
Weight | 490 g |
---|---|
Condition | New |
Genre | Social |
Theme | Modern Persian Poetry |
Origin | Iran |
Product Type | Modern Persian Poetry |
Writer | |
Book Size | Quarto |
Format | Hardcover |
Language | Persian |
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