Introduction to the Structural Theory of Iranian Music vol.2 by Mohsen Farbodmanesh

Introduction to the Structural Theory of Iranian Music – Volume 2 by Dr. Mohsen Farbodmanesh continues the groundbreaking analysis of Iran's traditional music through the lens of structural theory. Building upon the foundational concepts introduced in Volume 1, this volume delves into the intricate structures of additional Iranian musical modes, including Rast Panjgah, Mahur, Segah, and Homayoun. The author employs mathematical and statistical methods to examine the core notes—starting note, witness note, and stopping note—in various Iranian musical modes and their associated melodies, presenting these findings through detailed charts and diagrams. This comprehensive study offers a visual representation of the complex patterns within Iranian classical music, addressing fundamental questions about the relationships between different modes and their subcategories. Ideal for scholars, musicians, and students, this volume provides a deeper understanding of the structural foundations of Iranian music.